About a week ago, on a cold, dreary day (sounds like “once upon a time” or “it was a dark and stormy night”!), I went out with my Yashica D and a roll of color negative film, Fuji Pro 400H. Colors everywhere were muted, more so as it was in the latter part of the afternoon. I guestimated all exposures, and found that I had been too conservative in my estimates as many of the pictures were under exposed. Fuji Pro 400H makes for beautiful colors in the sun, but perhaps Ektar would be better suited for a cloudy, dull day. Perhaps, too, colors would have been better rendered with more light? Hard to judge at this point – the more I use film, the more I have to think about beyond exposure!
Tag: Yashica D
In California, we have been dealing with increasing drought over the years. Usually this creek runs with water falling from Nojoqui Falls in Santa Barbara County, but here it is dry. With the winter’s rainy season beginning, I want to return, perhaps after a storm, as this really is a lovely little creek when it’s moving along. Even dry, it’s nice.
One thing nice about a TLR is that it hangs around your neck at waist level. Tilt it up, tilt it down, and the world and perspective changes. With my old, creaky knees, it’s really a pleasure to be able to get closer to the ground without falling over!
Another tree, a shadow, and a curiosity to see how well the Yashica D’s Yashinon 80mm f3.5 lens could handle the distance. I think it did pretty good!
We were hiking up an ever-narrowing canyon. Light disappeared the further we went. Suddenly, there was this tree, bright against the shadows.
I have been taking my Yashica D TLR out a lot! Color and black and white film. I am finding it so much fun to use and I seem to be getting better pictures in medium format with this camera than with any of my others, all of which are vintage folders. Composing an image in the Yashica is a lot easier than with a small rangefinder view.
Besides using the Yashica D, I also did a roll of a new (to me) film: Ultrafine Extreme 400. For all 12 images in the roll, I applied the Sunny 16 rule, and nailed the exposures on all of them! As far as focus goes, I think my focus was good for most of them, but I think my scanning is a bit off as the film was rather curly even when I tried to flatten it. I am using an Epson V600 with Vuescan and Negative Lab Pro for this batch, but plan to use a digital camera and light table to scan some negatives as well.
These trees were taken on a hill near my house in the late morning.
When I scanned the images from the first roll of film through the Yashica D TLR, I think I scanned them at 3600. They are BIG! I wanted to see the details capable of the camera and the lens, and I was honestly really, really pleased. Here on offer is a portion of a picture I took of leafy plants nestled in the dappled sun beneath an oak tree along the Moonrise Trail. The Yashinon lens does a superb job altogether. This is about 1/10 of the original picture.