Another composite image taken with the Fuji X100V. This little camera is very capable, and I don’t even know all it can do. Basically, I am lazy! However, I do know the areas that, for me, are the parts of a camera I want to know the most. The thing that drew me to the Fuji X100V was its fixed focal length, film simulations, and the fact it can be manual, shutter, and aperture priority. Add to that, it shoots square pictures, and that is a big plus in my book. I think I like the 1:1 ratio the best.
This Labor Day weekend has been hotter than hell, setting records for heat (121 F in Los Angeles), and creating havoc. Fires are everywhere in California. So far we have been spared – but the smoke is filling the sky from fires hundreds of miles away, and ash is falling. The sunrises are beautiful because of it, but breathing it is not so beautiful! This morning, the sky was murky with a few clouds. Through it all came a fiery red sun.
I was a bit torn about editing this photo as I did – the sky is more lavender here than in reality. However, I am of the thought that the unreal quality I saw this morning is better expressed in unreal colors . . .
Before I got the idea of having the DH print a flash cover for the Instax Wide 300, I took a picture of the studio. With flash, everything in the foreground was visible and the picture was rubbish. It had that classic flash-look so common in photos of yore. So, I covered the flash with my hand as I took the picture. The evidence of not needing the flash all the time is evident here.
Someone sez I should get the Lomo wide . . . 😉
A field of yellow flowers, green grass, and shadows under the glaring sun. Too much color so into black-and-whitishness!
Trees never cease to allure! Personality, character, beauty. No idea what kind this is, but its bark is so beautiful that it caught my eye, and my lens.
I was naughty and . . . “gear hound” that I am (and that was a great term from you-know-who-you-are), got the new Fuji X100V. I am a Nikon shooter, so this was an adventure into new territory.
So, why the X100V?
When the X100 series was started in 2011, I was drawn to it, but really could not justify buying it. The reasons then were partly financial, but also I was still learning photography and had Nikon digital and film cameras, with F-mount lenses. I like my Nikon systems and have no complaints about them at all – solid performers producing results I like. However, I am lacking something small and portable and sophisticated enough to challenge me. YouTube videos were singing its praises. So, I bit the first day B&H had it up for pre-order.
Beyond the hype of YouTube users discussing the camera itself prior to its official release, some yay, some nay, I am finding this to be a bit of a confusing camera. Experience will lessen this for sure. The confusion lies in its menu system – all new to me. As I play with it, I am finding a rich ability to customize images and aspects of the camera. I doubt I will use all of them, but it is intriguing – like a good novel – and makes me want to learn more. What I found I really like is that I can make more than 4×3 images – I can set the camera to make 9×16 and 1×1. Further, the X-Trans sensor (I think that’s the term) is different than Nikon sensors, so color rendering is different, and the visual differences are very nice.
The X100V has a new lens (23mm equalling a 35mm full frame), an upgrade from all previous models in the X100 series. It also has the ability to replicate various Fuji films, and that is becoming an exciting element in this camera. You can set color preferences (i.e. the Acros setting, with a red emphasis) to push the film in various directions, as well as add grain. Creative fun in the camera settings – how cool is that?
In using it for a day or so, I can see this will be a take-everywhere-I-go camera. I usually have a film camera with me, but the film speed can limit what I can do. A fixed focal length will challenge me in composition, but the fact I can get within 4 inches of a subject is very attractive as I like macro photography, and this is pretty close. The lens fall off (or bokeh) is very pleasant, and the lens is, as everyone has pointed out, very sharp at f/2. The tilt screen is useful, too; I have one on another camera, but I never really think about using them. I expect I will be more likely to now. It is also a touch screen, as is the other one I have, and I do like that element. The X100V also has the ability to use Bluetooth to transfer to other devices, but if you don’t turn it off, it gets warm and burns through the battery as it searches for a device with which to pair. I turned it off. I am not likely to use it, but you never know.
Finally, I found initially I could not use the RAF (raw file extension) files in my Lightroom set up. Hmmmm. I converted them to DNGs using Adobe Converter. Later, a bit of research showed me I was using my old standalone version of LR. I do have the annual account for LR and other Adobe products, but for some reason the Lightroom Classic CC had disappeared from my system. An upgrade to it, and we now have visible RAF files! Yay! This is when you have to love the internet!
The image above is pretty much a simple edit of the RAF file. I upped the lighter greens a tad, put is a soft vignette to lead the eye, and the usual framing and signature. Very little work required. The raw files really caught the bright green of the new leaves. The jpeg did, too. Here is where the Fuji sensor seems stronger than the Nikon ones. The detail, too, is well caught. Technique used, per LR, is 1/210 sec, f/8, iso 1000. I posted the full version of the image just to show off what the lens can do.
I did this one as a pano, focusing on the leaves in the center of the image. I wanted to make them the clearest part of the image, trying to catch their sparkle. I am always fascinated by the dappling of light through leaves.
I love the twisty branches of this tree – it may be my fig – all barren in the winter months. Black and white makes it even better; I think as it evokes cold and chilly weather. (Last night it got down to 40 F, which is really cold for us!)
Nikon N90s, Nikon 28-85 macro, Ilford Ortho Plus 80.