I just had to put this photo out there today.
I recently acquired a new-to-me Certo 6 camera, It has the legendary Carl Zeiss Tessar 80mm f2.8 lens. The camera and lens date from around 1953 (give or take). I shot this at f2.8 to check out the DOF and sharpness of the lens. I’m amazed. The Ektar 100 came through, too, with beautiful colors.
The Certo 6 is an odd folder in the sense that it has many features that other folding cameras (bellows cameras) of the same time era do not have. Also, because current 120 film is thinner than that of the 50s, there is a potential for overlap of images – which I did not experience – and other quirks that need to be worked out. I really like folders because they force you to slow down and think, as well as consider what you want to see on your film.
Square format is a compositional challenge as well. As this is part of my first roll through the camera, composition was not of any real importance for me, but using the camera was. For some reason I got only 9 out of 12 exposures on the film, but that is something I think I have figured out, and will run another roll of play film through the camera to check out my ideas . . . like I said, ya gotta think sometimes!
More to come.
Yesterday I went out around noon. Bad time, traditionally, to make a picture, but that was the time frame I had. I had two film cameras with me – an OM-1n with an Orange 21 filter and B&W film, and a new-to-me Certo Six out on its maiden voyage and filled with Ektar 100.
As it was hot, I sat down in the shade along a trail. And here, a tree I have so many times along my walk, had a brand new perspective. I think I took it with both cameras, but it was just so beautiful, I took out my cell phone . . . too impatient to wait for film to come back.
How old is this lovely oak? I know there were some here when the Spanish showed up 300 years ago, and they were old then. Sometimes, I wish I could see the world through the eye of a tree.
A tree, a sunny day, a canyon, a 1937 folding Welta Weltur camera, a colored filter, 120 film shot in6x4.5 film, Ilford film, a Schneider Kreuznach Xenar 2.8 80mm lens. Such a delight to get back from the lab (even if I have to do a bit of cleaning up in LR)!
If you look closely, you will see there is blur in the image. I finally figured out that the way I was pressing the exposure button was the fault. I did it too quickly, and the result was a sort of little jerk. Motion and blur. That is why some pictures from this roll are sharper and others softer. Interesting how you have to really think about things differently depending on the camera you are using.
Another image from the roll of Ilford Super XP 400, a C-41 process black and white film. Again, with the Welta Weltur from 1937. And, once more, I am so impressed by the Xenar lens!
I took the Weltur out in a number of situations, using the Sunny 16 rule for the most part. I expect I shot this at 1/250 as it was a bright, sunny day. I also brought my light meter with me, but tried to guess before I measured. I also think I may have used f/8. The reason? More light for the detail in the trunk. Maybe I should write things down so I can see how things really work out – not just guess at how things work out. Shouldn’t be too hard for 12 – 18 pictures!
Another picture I have no idea that I took! The aliens that visit must have done it, or a cat. No idea. I have been thinking of doing double-exposures lately, and maybe this is an accidental one as my 1937 Weltur doesn’t have any mechanism to prevent that. Whatever, it is rather interesting to me.