Tag: rangefinder

Waiting for Lovers . . . and some notes on On1 Photo Raw

waiting-for-lovers
Waiting for Lovers

Today is the very, very first day that On1 Photo Raw is available for usage.  I think the original idea was to have a product ready to roll in October 2016, but rather than have a “finished” product full of bugs, they realized they had more on their plate, and held off until today, November 23.  I’m glad they did – and I am glad, too, that they realize that this really is a “work in progress” as it stands.

Personally, I love On1, and have been using them since version 8, which was a while back.  I use it with Lightroom.  What makes On1 great as a company is their support, ongoing consistent development, tutorials, and so on.  On1 products are sophisticated, and while they do not rival Adobe Photoshop for complexity, On1 products are far easier to use.  I prefer their brushes, spot and blemish removal tools, as well as the fact I can create presets which I can store.  At this point, the presets from On1 Photo Suite 10 cannot be used in On1 Photo Raw, but I expect they will have the ability to port them later on.  The one-up that Photoshop has is its “content-aware” fill.

The image above, Waiting for Lovers, was edited using On1 Photo Raw.  It is a film image using Kodak Ektar 100 in a 1930s Welta Weltur rangefinder.  The lens is an uncoated Xenar – probably about 75mm – which has an ethereal quality to it that I really love.  Scanning the image with my rather dirty Epson V600 (I have since cleaned it), I ended up with a blue streak across the entire image.  On1 took it out quite nicely.  Spots and threads were also easy to remove.  I think On1 did something to their processing algorithm (or whatever), as the spot removal works very quickly.

chumash-trail-1

This image is a pano stitched together in LR, and consists of two images taken with the Olympus XA4 and Lomography 100 film.  The only thing I did was perk it up a bit with some detail, in LR and in Photo Raw.  It is nearly identical to the SOOC image.

orchid-in-the-window

Finally, the above image was really pushed in On1 Photo Raw.  Spot removal, brush usage, presets, whatever.  This was an overall high-key, pale image, but I set it up to be contrasty and bright – possibly too much so – but wanted see what I could do.  This was also taken with the XA4 and Lomo 100 film.  Both of these two images were scanned using a Pakon 135 scanner.

There is so much software out there for photographers, that competitors to Photoshop seem to come and go.  My favorite and most consistent programs are Lightroom and On1.  I also use DxO v. 11, and while it is good for some things, it lacks the diversity of On1.  Capture One is good, too, but it makes me crazy as it does not make sense to me at times . . . but I admit, I have not put in time to using it as it has a higher learning curve, and is not, for me, very intuitive.  So, two thumbs up to On1 for its Photo Raw software – I think it will prove to be a real winner as they continue to develop it.

Raindrops & Thorns

Raindrops & Thorns

Another shot taken with Kodak UltraMax 400 and the Olympus XA4.  I don’t know if it is me, or the camera, or the film, or a combination, but I don’t think the sharpness is quite where I would like it to be.  Despite that, I think this is a helluva a great little camera – so quick and easy to use.  Maybe I’ll pick up the XA later on as it is a true rangefinder, not a zone-focusing one as is the XA4.  What I do like about the XA4 is the wider angle, and the ability to do some macro work with a point-and-shoot sized film camera.

That Strange Light Before It Rains

That Strange Light Before It Rains

If you have ever experienced the scudding light – bright, shadow, dark, bright – as clouds race before the wind, you know what I mean.  Suddenly one patch is brilliant against the ominous dark, then vanishes before your eyes.

This was taken with an Olympus XA4, a very small rangefinder from the 80s.  The XA4, from 1985, sports a five element Zuiko 28mm f3.5 lens focusing to 0.3m (12 inches), with the help of corded measuring devices for macro work.  The cords attach to the camera and extend for measurement.  I acquired on which was new old stock, and it’s quite a fun little 35mm camera.  It is also – I swear – the last film camera I plan to buy (for awhile)!

I had the film developed at a local lab, and scanned it myself with my Pakon 135.

Bowl

Bowl

I bought a Werra 5 about a month ago, and this is part of the first roll of film sent through the camera, primarily with purpose of learning how to use it, see the results, and determine if there were any light leaks. All is well!

This is one of the last three images I took, just to finish the roll, knowing I had the time to get to a photo lab somewhere. It turns out, there is a 1-hour lab still functioning less than 5 miles from where I live, and half-way on the way to work. Convenience!

Like I said, this was one of the last 3 images I took. I pointed and shot – not a great picture (others were better) – but I rather like the mood of this unfocused bowl. Film used is Fuji Superia 400 Xtra that I bought a couple of years ago.

Is Anyone There?

Is Anyone There?

Last year I was hiking in a favorite area, and came across a movie set. This was what was there, along with spooky gates and other such things. It was situated in a public place. It was Easter Sunday.

There was a security guard there. He yelled and wave his arms at us – like a ghost? – telling us we couldn’t even look at the set, much less photograph it. Well, my taxes pay for the park, it is public property, and I wasn’t hurting anything. I got this picture, but wish I had gotten more.

Later, I called the city, and complained, and they assured me I was within my rights, and they were also annoyed with the movie company as they had emphasized the fact it is on public property.

Unknown film; with a Canonet GIII QL rangefinder ca. 1970.