Photography by Naomi Drew
I have no idea what the name of this bush is, but it always fascinates me when I see it on my walks through the botanical garden. I should look for a tag. It’s such a cheery plant, and the long seed pods seem rather impossible given the pom-pom shape of its flowers.
My world really doesn’t look like this, but sometimes it does feel like this!
I have been soooooo busy with everything! People, projects, classes, etc., etc. I finally got out for a bit of a hike, and brought my camera along, too, loaded with Portra 400. I used my Olympus OM-1n, which is a favorite camera of mine. The lens was the 50mm I had attached to it. Interestingly, my tape that I put on any camera with film in it told me I had loaded the film on 3/6/2021, exactly one year to the day that I was out and about!
I am always rather “hmmmmm” about Portra 400. A lot of people like it, but in post I always need to do something to it. I probably should just not use it for anything but portraits since that is what it is intended for, but I don’t often take pictures of people.
Anyway, the hike was fun – and kind of scary since I went by myself and part of it was rather steep, with fall-offs that could be treacherous. Getting old is not fun, and losing a sense of independence in some areas is not where I want to be. However, prudence was there insofar as my husband knew where I was, and I had my phone.
This is a little sage plant, newly growing in the moist soil above a creek. I couldn’t get a really nice shot of it by itself, and that is when I set my exposure and took multiple images to stitch together. In the end, I liked this composition, and just messed with it until I got something I liked.
As one year ends, we look back. As a new year begins, we look forward.
Happy New Year, everyone!
I re-scanned some Portra 400 I took in 2015 with my husband’s old Ricoh XR-10 camera from the last century. I have a Pakon 135 scanner that digitizes 35mm film. It is a real life saver, slow, and overall, reliable. There are some quirks that go with it, such as crippled software which I have worked around, but it makes scanning film very easy.
A few days ago, my husband replaced the old hard drive with an SSD in the vintage laptop I use exclusively with the Pakon. He removed the old HD and mirrored it. After that, he used an interface of some variety to make the old machine – an eMachine from 2005?? – running Windows XP (the only software that the Pakon software will work with) – think it is using an old HD. Yeah, techie stuff. So, I needed to see if the Pakon would still work – and it does! Now let’s just hope the old laptop will continue until I die, and the Pakon, too. What is interesting, too, is that my wireless mouse dies and resurrects itself periodically on the eMachine, so I ordered a USB cabled mouse and a USB hub to see if some of the other laptop quirks can be resolved. The laptop has a touchpad, but I don’t like them at all.
Besides checking out the workings of the new HD and the Pakon, I finally got around to seeing how to save the scans as negatives so I can process them using Negative Lab Pro 2.3 and Lightroom Classic. The Neg Lab Pro website gives very good directions – far better than when Nate began the product – and this scan, which you can enlarge on Flickr, shows how nice it all works out. The beauty of the film is still there, even digitized.
I think this combo is a ball hit out of the park! More to come.
What is it about old German folding cameras? I have a number of them and, while they can feel clunky compared to point-and-shoot cameras, or DSLRs (or mirrorless), there is something just so wonderful about using a film camera.
This is a cropped 6×9 image from my Zeiss Ikon Ercona, ca. 1950 and serviced by Jurgen Kreckel. His cameras are well worth their costs, high or low.
I have problems figuring out how to go up or down with a camera-top viewfinder. My brain doesn’t seem to “get it” but maybe I’ll get the other half to logically explain it to me. He’s good at that.
So, out for a walk to check out the camera – I bought it last July – and trying to become familiar with the camera, and guestimating exposures. Some good pictures resulted, and some dogs. I’m better at guessing exposure factors for 100 speed film. I used a roll of 120 Portra 400 film as my test roll.
Whenever I get film back, I am always so pleased. I really do prefer it to digital, hands down, but digital has its place, too. This Ercona was fun to use, a bit of a pain, too, but whenever you have something new in hand, or something old, there is always a bit of a trial-and-error period. This happens even if you have shot with the camera before.
A rose by any other name, and shot with any camera, is pretty sweet – even better when you like your photo!
Nothing like a morning walk to find peace and beauty.
Nothing like a mistake that is rather a fun one – here, double exposure in my Certo Six folding camera. I forgot to advance the film and thought there was an issue, so released the exposure button again by choosing the “bypass” button. (If you have a Certo Six, you know what I am talking about.) It makes me think that it might be a fun exercise to deliberately, rather than accidentally, create double exposures. Maybe even triple. Or quadruple. Such is possible!!
This is with Portra 400, a film I always find way to delicate in color for my taste, but it could be I will change my mind after cataract surgery. This is pretty much SOOC with just some spot removal in post. I don’t like spotty film . . .
I picked up a roll of film I had processed and ignored scanning it for weeks. Photography just wasn’t interesting anymore. Yesterday I finally scanned it.
This hiatus showed me something very clearly: I prefer the looks of film to that of digital. Even the Fuji digital equivalents don’t come close to the beauty of film. However, in the pre-digital age, film was horrible because it was expensive and unsuccessful as far as I was concerned. Snapshots, bad lighting, poor composition, and more failures than success. And no education, just a camera and failed hope.
Now I think that digital helped me learn and digital helps analog. It’s good when things play well together, don’t you think?
Good morning!
The Glass Aerie 