I’m a bit behind on the BW project, but all because of working on the scanning software and getting it to process black and white. I have a Pakon scanner, which is fab for 35mm film. I spent a couple of days ironing out and learning the software, as well as applying patches which allow more than color negative and C-41 black and white film.
This is the first image I have gotten back from the developer doing something I have never done before – pushing film. Mark at If Time Stood Still made a wonderful picture of his youngest daughter, specifically the image called The Lunch Date. He shot Ilford HP5+ and pushed it.
Using his instructions, I did the same. The result is really pleasant, and seems to push contrast to level I like. Since I prefer shorter scaled B&W to longer scale in general, this is a good technique to know.
Mark processes his own film B&W, as well as color, and scans his film, too. (Altogether, I think he is an amazing photographer, especially of his family.) Go visit his site!
So, more to follow!
Today I am going to break the silence of the Silent 365 project. I’m a bit behind, but I’ll tell you why.
I have been working for hours on managing the software quirks for the Pakon 135 scanner I use for 35mm film. I finally have it working where I can do color negative film, positive / slide film, C-41 black and white, and genuine black and white. Post processing is done primarily in Lightroom and On1 Photo Raw. It’s a good feeling that I can scan my film in a good scanner which produces better results than a flat bed.
Ah, the benefits of retirement! Time to solve problems and stay focused on them for a long time!
Yeah, and in a pano no less! I couldn’t remember if I had rewound the film in my Trip 35, so I cracked it. The last few pictures were exposed, but the result is that this panorama actually has genuine light leaks, not ones put in place by software. I rather like the results.
Looks like something out of a SciFi flick or something, but it is just a tunnel under a road in Mesa Verde National Park.
It’s been a glorious summer so far!
I bought an Olympus OM-1n with the standard kit lens, a 50mm f1.8 OM mount, a few weeks ago. As with every camera, it has to be tested – especially if listed in “excellent” condition. As always, KEH comes through with quality used photography equipment!
The 50mm lens is really nice – it does a good job with bokeh and sharpness of detail Here it is demonstrated on a red columbine at the local botanical garden, using UltraMax 400 and scanned with my Pakon.
I can see why a lot of people like this camera. It was a total pleasure to use – easy, lightweight, compact, and a perfect fit for my hands.
From a walk on the nearby local college campus, using the Olympus Om-1n, OM mount 50mm f1.8, and Ultramax 400 film. I scanned it with my Pakon 135 and did post in LR and On1.
Interesting use of the words “grab” and “fresh” . . . . I mean “fun”!
Nothing like watching old westerns to inspire a title . . . this was taken with wonderful Olympus XA4 and Agfa Vista 200 film, scanned with my little own hands on my Pakon 135.
If you have ever experienced the scudding light – bright, shadow, dark, bright – as clouds race before the wind, you know what I mean. Suddenly one patch is brilliant against the ominous dark, then vanishes before your eyes.
This was taken with an Olympus XA4, a very small rangefinder from the 80s. The XA4, from 1985, sports a five element Zuiko 28mm f3.5 lens focusing to 0.3m (12 inches), with the help of corded measuring devices for macro work. The cords attach to the camera and extend for measurement. I acquired on which was new old stock, and it’s quite a fun little 35mm camera. It is also – I swear – the last film camera I plan to buy (for awhile)!
I had the film developed at a local lab, and scanned it myself with my Pakon 135.
One of my favorite places to pause.