I’m a bit behind on the BW project, but all because of working on the scanning software and getting it to process black and white. I have a Pakon scanner, which is fab for 35mm film. I spent a couple of days ironing out and learning the software, as well as applying patches which allow more than color negative and C-41 black and white film.
This is the first image I have gotten back from the developer doing something I have never done before – pushing film. Mark at If Time Stood Still made a wonderful picture of his youngest daughter, specifically the image called The Lunch Date. He shot Ilford HP5+ and pushed it.
Using his instructions, I did the same. The result is really pleasant, and seems to push contrast to level I like. Since I prefer shorter scaled B&W to longer scale in general, this is a good technique to know.
Mark processes his own film B&W, as well as color, and scans his film, too. (Altogether, I think he is an amazing photographer, especially of his family.) Go visit his site!
So, more to follow!
I felt like a tourist when I headed out to the botanical garden a few weeks ago. I had my Olympus XA4, my Kodak Retina IIIc for its maiden voyage, and the Perkeo II loaded with Fuji Neopan 400. I am so impressed with this film – the blacks are black, and the whites are white. I didn’t have an orange or red filter with me, so some pictures were not what I would have liked to see; still, the detail and beauty of the film is seen here (and the Perkeo is no slouch, either). Sadly, Neopan in this form is no longer made – the C-41 form – although Acros is available.
Today I finally sat down to scan some film I had processed awhile ago. This is Kodak UltraMax 400, a color film converted to b&w. I took this image last year sometime, long before the rains came. The moon was half full.
Weekly Challenge: Change
More from the Ricoh, 28-70mm, and UltraMax.
A new-to-me film, recommended by one whose photography I admire: Kodak UltraMax 400. Not an expensive film. I shot the roll at the recommended iso, using the automatic exposure element in a Ricoh XR-10 camera, and a Vivitar 28-70mm lens. The guy at the photo lab suggest I shoot all 400 at 320 iso instead – longer exposure, better color. I’ve loaded another roll of the same film, in the same camera, to test it out at a lower iso.
This image was doctored a bit in LR.